film criticism & reporting
Artforum
Avery Review
Brooklyn Magazine
Politics and DIY at the 18th Indie Memphis Film Festival
Things to Come: Bold New Films at the 41st TIFF
Things to Come: Bold New Films at the 41st TIFF
Filmmaker Magazine
A Rogue’s Gallery of Gorgeousness: Charles Atlas & ANOHNI’s Turning
Shape of Things to Come: MoMI’s 2nd Annual First Look
All At Sea: Leviathan
Letter from 66th Locarno, Week One
Letter from 66th Locarno Week Two
Letter from 66th Locarno Wrap Up
67th Locarno First Impressions
67th Locarno Last Looks
Looking Both Ways: 21st Sheffield DocFest
Politics of Style: Restoring and Rediscovering Apparatus Films
The Journey Is the Destination: In Transit
Shape of Things to Come: MoMI’s 2nd Annual First Look
All At Sea: Leviathan
Letter from 66th Locarno, Week One
Letter from 66th Locarno Week Two
Letter from 66th Locarno Wrap Up
67th Locarno First Impressions
67th Locarno Last Looks
Looking Both Ways: 21st Sheffield DocFest
Politics of Style: Restoring and Rediscovering Apparatus Films
The Journey Is the Destination: In Transit
Indiewire
Why True False Is One of the Most Vital Festivals In America
Trump-Era Documentaries: How a New Age of Political Anxieties Is Echoing Around the World
Is the Definition of ‘Documentary’ Too Narrow? A New Series Has the Answer
The Brooklyn Rail
filmmaker interviews
BOMB
Brooklyn Magazine
Cinema Scope
Extra Extra Magazine
John Cameron Mitchell
Ira Sachs
Carlos Reygadas
Apichatpong Weerasethakul
Joao Pedro Rodrigues
Lisandro Alonso
Alain Guiraudie
Khalil Joseph
Anocha Suwichakornpong
Filmmaker Magazine
Kleber Mendonca Filho
Jamie Nares
Sebastian Silva
Narimane Mari
Alexander Carver &
Daniel Schmidt
Michelangelo Frammartino
James N. Kienitz Wilkins
Sarah Polly
Matt Wolf, Jon Savage &
Jason Schwartzman
Mati Diop
Maren Ade
Lucrecia Martel
Alain Guiraudie
Garrett Brown
Stephanie Spray &
Pacho Velez
Claire Denis
Film Comment
Indiewire
Interview Magazine
Reverse Shot
Village Voice